Trevor Weston’s music has been called a “gently syncopated marriage of intellect and feeling.” (Detroit Free Press) Weston’s honors include the George Ladd Prix de Paris from the University of California, Berkeley, a Goddard Lieberson Fellowship and the Arts and Letters Award in Music from the American Academy of Arts and Letters, and residencies from the Virginia Center for the Creative Arts, the MacDowell Colony and a residency with Castle of our Skins at the Longy School of Music. Weston co-authored with Olly Wilson, chapter 5 in the Cambridge Companion to Duke Ellington, “Duke Ellington as a Cultural Icon” published by Cambridge University Press. Weston’s work, Juba for Strings won the Sonori/New Orleans Chamber Orchestra Composition Competition.

Weston won the first Emerging Black Composers Project award sponsored by the San Francisco Conservatory of Music and the San Francisco Symphony. The resulting work, Push, premiered by the San Francisco Symphony under the direction of Esa-Pekka Salonen in Davies Symphony Hall. Push was noted for, “Working in terse, delicate strokes, Weston covers a range of references from the African American musical tradition,” by the San Francisco Chronicle. “…an energetic and colorfully orchestrated mini-symphony, is the kind of work that makes you want to hear more of Weston’s music,” according to San Francisco Classical Voice. Weston’s Flying Fish, co-commissioned by Carnegie Hall for its 125 Commission Project and the American Composers Orchestra, was described as having, “…episodes of hurtling energy, the music certainly suggested wondrous aquatic feats. I was especially affected, though, by an extended slower, quizzical episode with pensive strings and plaintive chords.” (New York Times). Subwaves, a musical tribute to the NYC Subway, premiered at David Geffen Hall by the Music Advancement Program orchestra and the New York Philharmonic.

Recordings and performances of Weston’s chamber music include the honor of a JACK Quartet Studio Recording Project for his string quartets Juba and Fudo Myoo. Dan Flanagan commissioned Notre Dame au Millieu for solo violin to appear on the recording The Bow and The Brush. Weston’s Pinkster Kings and Shape Shifter are featured on Ensemble Pi’s recording Reparations Now. The Bang on a Can All-Stars premiered Weston’s composition Dig It, commissioned by the group for the Ecstatic Music Festival in NYC. The Etchings Festival presented a portrait concert of Weston chamber works in preparation for future recording project.